I excelled in math in high school, rising to the top of the tiered class track and dabbling in multivariable calculus before college. I, however, immediately and subconsciously faltered in confidence when I reached Princeton. I was deterred from trying a proof-based math class by the thought that these were only for “math people” – students who had excelled in extracurricular math competitions from a young age or who already had exposure to “real math” beyond AP calculus. The kinds of students, who, when presented with a problem, could scribble across a blackboard and find the answer with a spark of genius.

That student wasn’t me, and so I decided that I must not be a “math person.” I still took college math, but instead of enrolling in a proof-based class, I pushed through Math 201 (multivariable calculus) and 202 (linear algebra), required courses for engineers. The exams were still notoriously difficult, and it wasn’t unusual for average scores to hover around 65%. This seemed to me like a strategy the department used to allow it to separate star students from “the rest of the pack.” Linear algebra during my freshman spring was the last math class I took in college.

Three years later, I’m studying philosophy – a subject with gender ratios comparable to mathematics. Many people know about the lack of females in STEM departments, but this issue slips under the radar in fields like philosophy and music composition. Philosophy professor Sarah-Jane Leslie’s research helps connect the dots.