Have you ever wanted to learn Photoshop or make a 3D model? Maybe you’re trying to edit a video or record a podcast?
This year, I have become a frequent visitor to the Digital Learning Lab (DLL), an interdisciplinary, digital creative space located in Lewis Library. I first visited the DLL in the fall in order to borrow a drawing tablet to make a digital illustration for an issue of Nassau Weekly. Since my first introduction to the DLL, I have continued to learn more about all that is offered there, and I had to share!
I went to Paris! Not just for fun—although it’s a dope city—but to get some thesis research done to narrow down a topic. In the first part of this series, I mentioned how I submitted an application for funding to research advertisements in museum archives and libraries in Paris. My goal was to narrow down the initial research question I had at the very beginning of my research process: how Public Service Announcements (PSAs) subvert the capitalist practices within traditional commercial advertising. My goal was to see the advertisements that inspired the French theorists I’ll be drawing from in my thesis. But, alas, there was one problem—when faced with an entire archive of advertisements, where do I even begin??
I spent most of my time at the Bibliothèque Forney, a library specializing in design and the decorative arts. I emailed ahead of time to speak with one of the librarians, who wanted to get a sense of my argument and which advertisements he could direct me into researching according to my response. After explaining my general thesis topic and the research I had done in my previous two JPs (pro-tip: explaining a thesis topic in a foreign language is a good marker for how well you understand it—or rather how much you don’t), he responded bluntly: “You really need to narrow this down.” My face fell. That’s exactly what I was trying to do, the very reason I was in that library. I didn’t have a corpus of ads, which is what I was in search for in Paris. I had kind of hoped to look at a vast layout of ads and just be naturally drawn to an era, a medium, a theme, or product, but I quickly realized it was far too unrealistic to be able to survey three hundred years of French advertisements and just hope that a few of them would speak to me so I could write eighty pages about them. The librarian asked me how much time I had to write my thesis, suggesting one to two years, and I chuckled, slightly panicked, and said “six months.”
This winter, for our seasonal series entitled “Professorship and Mentorship,” PCURs interview a professor from their home department. In these interviews, professors shed light on the role that mentorship has played in their academic trajectory, including their previous experiences as undergraduate and graduate students as well as their current involvement with mentorship as independent work advisers for current Princeton undergraduates. Here, Nanako shares her interview.
As one can see from the many PCUR posts on Junior Papers
and Senior Theses, independent work is a huge part of the junior and senior experience here at Princeton. However, everyone has different views on why this process is important, and different departments have different requirements. For this Winter Seasonal Series, I decided to interview Professor Gitai, who I met when I took MOL214: Introduction to Molecular and Cellular Biology in the fall of my first year at Princeton. Read on to learn more about the thesis writing process for concentrators in molecular biology, and how to make sure you get the most out of this process!
The spring semester is in full swing, and, for sophomores, concentration declaration is quickly approaching. Obviously, choosing a major is a big decision which will dictate what discipline you study in most of your courses and possibly direct your professional career. However, your department will also define your academic experience as an upperclass student in other ways; each department has different requirements for independent work, different research opportunities for undergraduates, and a different type of community. I found that considering all of these variables helped me to choose my major, but doing so may necessitate a bit of investigating.
So if you are a sophomore about to choose your concentration, what can you do over the next couple months to get to know the department(s) you are interested in?
Here are some tips to get you started, with examples from my beloved home Department of Geosciences:
When we think of academic research, we often think of libraries or labs. We might imagine flipping through books, reading articles, or running lab experiments, but there is a branch of research that looks much different than this. In fact, it looks like the real world.
This branch is field research. Researchers from various fields apply this method of research, but in this post, I’ll be focusing on field research in design. Design is a big field with a wild range of applications. Design spans from information design (think infographics, instructions, maps) all the way to User Interface design (think apps and websites), but what’s at the root of design is a need to communicate effectively with people and facilitate understanding. The goal in design is to create systems that are effective–ones that work for their users. Accordingly, when designers conduct field research, they go out in the world and record qualitative data on people’s needs and experiences: What information are they searching for? What do they want out of a product? What parts of the current product are helpful? Which are frustrating and confusing?
In this interview, Sheila Pontis, a lecturer in the Keller Center, talks about her work and encourages designers and student researchers to embrace field research and trust qualitative data.
This winter, for our seasonal series entitled “Professorship and Mentorship,” PCURs interview a professor from their home department. In these interviews, professors shed light on the role that mentorship has played in their academic trajectory, including their previous experiences as undergraduate and graduate students as well as their current involvement with mentorship as independent work advisers for current Princeton undergraduates. Here, Alec shares his interview.
Princeton takes great pride in its focus on undergraduate independent work, and the expectations of original research and mentorship define the academic experience of juniors and seniors. However, everyone has their own model for mentoring and their own ideas of what undergraduate research should focus on. As part of our Winter Seasonal Series, I interviewed Geosciences Professor Frederik Simons to understand the role of mentorship in his life and share his perspective on undergraduate research at Princeton. I know Frederik from our many conversations in the GEO department and I took his class GEO 422: Data Models and Uncertainty in the Natural Sciences. He is the second reader for my independent work.
Mentorship is a state of mind… You need to get into someone’s mind and understand their perspective. If you see someone who is distressed or struggling, help out a little bit.
What role has mentorship played in your career, and what role does it play in your life now?
I was blessed with mentors throughout my career, a willingness to listen to advice, and the audacity to ignore it. I experienced mentorship in the form of many people looking out for me; it’s essentially about providing opportunity. Mentorship is lifelong; you are still being taken care of by other people whatever you achieve. Now I try to teach undergraduates what I think they should know and connect graduate students with opportunities.
Mentorship is a state of mind. ‘Mentor’ is from the Latin ‘mens’ for mind. You need to get into someone’s mind and understand their perspective. If you see someone who is distressed or struggling, help out a little bit. I have always enjoyed explaining stuff and helping out; it makes me feel good.
As Princeton students, we generally like hectic schedules. As much as we complain about impossible p-sets, extensive readings, and multiple extracurriculars, we often feel as if we need to constantly be busy. Thus, we fill up every minute of our schedules because a packed schedule makes us feel as if we are pushing ourselves to constantly operate at full potential.
I intended to pack my schedule like this last semester by joining the bioengineering lab where I researched the metabolic pathways of yeast cells over the summer. (You can read more about my experience by looking at some of my previous posts). It seemed logical for me to continue working in the lab during my sophomore year, as this would provide me with both experience and extra preparation for junior independent work and eventually my senior thesis. But because of scheduling problems and sophomore funding issues, I was not able to continue working during the fall.
Turning a research paper into a visual presentation is difficult; there are pitfalls, and navigating the path to a brief, informative presentation takes time and practice. As a TA for GEO/WRI 201: Methods in Data Analysis & Scientific Writing this past fall, I saw how this process works from an instructor’s standpoint. I’ve presented my own research before, but helping others present theirs taught me a bit more about the process. Here are some tips I learned that may help you with your next research presentation:
More is more
In general, your presentation will always benefit from more practice, more feedback, and more revision. By practicing in front of friends, you can get comfortable with presenting your work while receiving feedback. It is hard to know how to revise your presentation if you never practice. If you are presenting to a general audience, getting feedback from someone outside of your discipline is crucial. Terms and ideas that seem intuitive to you may be completely foreign to someone else, and your well-crafted presentation could fall flat.
Less is more
Limit the scope of your presentation, the number of slides, and the text on each slide. In my experience, text works well for organizing slides, orienting the audience to key terms, and annotating important figures–not for explaining complex ideas. Having fewer slides is usually better as well. In general, about one slide per minute of presentation is an appropriate budget. Too many slides is usually a sign that your topic is too broad.
Learning about independent work in different disciplines can widen your understanding of research and provide insight into the diversity of work being done by the undergraduate research community. This may be especially important if you are a first-year or sophomore student deciding on what concentration to declare. As a GEO major, I am very familiar with the type of research that goes into scientific independent work, but less familiar with research in other disciplines.
To learn more about other types of student research on campus, I interviewed Rae Perez ‘19 about her independent work in the architecture department. Rae is researching the closing of 50 public schools in black neighborhoods in Chicago. Her thesis will analyze these buildings in the context of the city’s racial and political landscape. If you are curious about what research for an architecture thesis might look like, here is what Rae shared about her independent work:
What is your thesis about?
It is an architecture thesis challenging the borders of architecture by dipping into social sciences, urbanism, racial and political dynamics of a city. [I am] trying to understand how individual buildings reflect political ideologies. Chicago shut down 50 public schools in predominantly black neighborhoods and is doing nothing to help a struggling demographic they have historically injured. I want to look at how these buildings have embodied different meanings over time.
On Friday morning, I encountered a manuscript no historian had studied before. I was on the C Floor of Firestone in the Rare Books and Special Collections Reading Room, finding it hard to believe my luck. I had asked Gabriel Swift, the Reference Librarian for Special Collections, if he knew of any interesting primary sources connected to my Junior Paper topic, an 1805 Lenape religious revival led by a woman named Beate. In response, he connected me with this new acquisition, a handwritten journal from 1774. Just this year, he explained, the University had purchased it at auction in Paris. And because it was from a private collection, the source was previously unknown to academics.
According to the RBSC website, “its holdings span five millennia and five continents, and include around 300,000 rare or significant printed works.”
With just a few simple steps, you can see one of the first “Wanted” posters for John Wilkes Booth, Beethoven’s music manuscripts, or Woodrow Wilson’s love letters. It is one of the most fabulous and underutilized research resources on campus – especially for historians. As undergraduates, we have nearly complete access to the collections. Continue reading Guide to the Rare Books and Special Collections