Edric Huang, Class of 2018, Anthropology Major with Certificates in Creative Writing and Urban Studies
A couple of weeks ago, I interviewed Kristin Hauge about her independent work in the Music Department to highlight creative independent work in the arts. This week, I got in touch with Edric Huang, a senior in the Anthropology Department with certificates in Urban Studies and Creative Writing. Unlike most students on campus, he will be writing two theses this year. One is the classic research-based thesis that seniors in the sciences and humanities are familiar with, but the second will be a collection of poems for his Creative Writing Certificate. If you are unfamiliar with the kind of work that goes into creative theses, here’s what Edric had to share about his personal experience: Continue reading Writing a Creative Thesis: An Interview with Edric Huang ’18
There are many opportunities to apply for funding!
If you are an upperclassman, at this point in the semester, you’ve probably met with your adviser, decided on your research topic, and come up with a game plan for beginning your independent work. That said, you may still need to figure out one final detail: getting research funding. Not only does the Student Activities Funding Engine (SAFE) now have several applications open for Winter and Intersession research, but applications for spring funding will also be opening relatively soon. Even if you aren’t in the midst of writing a thesis, SAFE also lists opportunities for students who need funding for internships, summer study abroad programs, and independent projects. If this is your first time applying for funding and you’re worried about writing a convincing proposal, you’re not the only one. That’s why PCUR attended the Writing Program’s “Crafting Your Research Proposal” workshop to bring back some pointers. If you weren’t able to make it, here are the fundamental guiding questions to help make your research statement as clear and effective as possible:Continue reading Need Funding? Tips for Writing a Convincing Proposal
What I’m most passionate about is immigration. How do people move? Why do they move? And what can we do to assist immigrant communities? While I’m not an immigrant myself, I’m the child of Chinese immigrants who came at a time when Chinese immigration was almost entirely restricted on a racial basis. When my grandparents came to America, only 105 Chinese immigrants per year were permitted entry into the United States. While I acknowledge that I speak from a position of natural-born citizenship, it is the struggles of modern undocumented immigrants that truly fuel my desire to research this field of policy.
The author’s grandfather came to America on this ship in 1949.
Kristin Hauge ’18, Music Major with Certificates in Musical Performance and Teacher Prep
Kristin Hauge is a senior from Westfield, New Jersey majoring in Music while pursuing certificates in Musical Performance (Piano) and Teacher Preparation. Not only does she participate in a number of ensembles on campus (e.g. Princeton Pianists Ensemble, Sinfonia, and Glee Club), she also has been composing music since high school. And instead of your traditional research paper, Kristin composed an entire composition for her independent work her junior year. If you’re used to conducting studies in the social sciences like me, you’re probably wondering what research is like as a music major. Thankfully, Kristin took some time away from her numerous rehearsals to answer a few questions:Continue reading Independent Work in the Music Department: An Interview with Kristin Hauge
The research process comes full circle — less than a year after finishing my Woodrow Wilson School task force as a junior writing a Junior Paper, I’m now serving as a Senior Commissioner for a task force about federal policy and poverty reduction in the United States. The job of the Senior Commissioner is to help lead class discussions, to assist juniors in the research process, and to collate everyone’s junior papers into a final briefing book at the end of the semester. Having been through the whole task force process before, it gives me a unique perspective to help guide juniors through their first steps into independent work.
At some point in your Princeton career, you will likely have to write a long paper replete with a table of contents and extensive bibliography, possibly containing complex mathematical equations, and/or multiple figures and tables. For many students, especially those in the social sciences or humanities, writing a research paper using word processing software like Microsoft Word will be the fastest and most intuitive method (especially with the help of automated citation tools). However, for other students, formatting all of these features using regular word processors will be inefficient, or worse, create unsatisfactory results.
Formatting the different parts of your paper should not be a precarious balancing act! LaTeX automatically formats and coordinates all of these features so that edits are seamlessly incorporated into the document.
For these types of projects, you may benefit from a typesetting system capable of consistent structural layout, superior typographical quality, support for scientific equations, internally referencing figures and tables, and automatically compiling large bibliographies. Enter: LaTeX.
LaTeX is a free open-source typesetting system that uses code and text to generate a PDF document. It allows you to explicitly define formatting options so that document structure remains consistent. Although the workflow is completely inefficient for writing short documents, when it comes to large and complex papers, LaTeX can make life a lot easier. For projects like Senior Theses, many departments at Princeton even have LaTeX templates with correct formatting built-in. While struggling to get a handle on LaTeX last year, I learned some useful strategies that will help you vault over the learning curve:
Although it still feels like summer, my fellow seniors and I know that thesis-season is officially in full swing. Some of us may still be finding a topic while others have started gathering sources, but no matter where you are in the process, it’s never too late to start exploring strategies to assist you with your independent work. The senior thesis is a year-long, taxing, and rewarding project, but it doesn’t need to be painstakingly stressful. After completing a junior paper last year and talking with several seniors about their own independent research, I’ve gathered several tips on how to make independent research more enjoyable. Here are a few essential items to what I like to call the thesis-prep kit:Continue reading Thesis Prep-Kit
For me, and for most other Princeton students, a thesis is the longest thing you’ll have written at this point in your life, a particularly daunting task. No matter what happens, there’s no reason to panic or despair about the task at hand. Take a deep breath — everything will turn out fine.
In our spring series, Senior Theses: A Celebration, we take a moment in the interlude between thesis deadlines and graduation to appreciate the diverse, personal, and impactful work of seniors’ capstone research projects.
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Xuewei Ouyang, a senior from New Jersey
Xuewei Ouyang is a senior in the Computer Science Department. For her thesis, she combined her passion for dance and her knowledge of coding to create an app called, ChoreoSpot. Here’s what she had to say about her work:
What is your thesis about?
In short, my thesis is about creating an app that takes a rehearsal video and, within various frames of the video, spots errors on the dancers’ bodies in comparison to the choreographer’s.
In our spring series, Senior Theses: A Celebration, we take a moment in the interlude between thesis deadlines and graduation to appreciate the diverse, personal, and impactful work of seniors’ capstone research projects.
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For her senior thesis in History, Nadia Diamond wrote about the Magdalen laundries in the Republic of Ireland.
Established at Catholic convents in the 18th century, Magdalen laundries were “rehabilitative” asylums, where sex workers and “fallen women” were put to work cleaning clothes. With the establishment of the Republic in 1922, the laundries lost their rehabilitative nature, and transformed into a form of slave-like punishment for “sinful” women, most of whom were not sex workers, but instead unmarried mothers, sexual assault survivors, or sexually active single women who had been ostracized by their communities. The women worked long hours under supervision of the nuns to wash people’s laundry, without financial compensation, and without freedom to exit the institution. The last of these laundries finally closed in 1996. In her thesis, Nadia focuses on three different laundries — in Dublin, Limerick, and Galway. She explores themes of community disengagement and considers the power that art can play in grappling with this horrific history.
Former Magdalen laundry run by the Sisters of Our Lady of Charity on Sean McDermott Street in Dublin.
What did you want to learn from this project?
The question that sparked my research was: Why did it take so long for the laywomen who had once been incarcerated to start having their voices heard, and for there to actually be some heat put on the state, the church, and larger society for letting this happen for so long? To do that I decided to look at newspaper archives and trace public discussion in search for any reference of the laundries throughout the 20th century in order to provide historical background for the general societal silence in the 21st century. The laundries were mentioned a lot, but it was all pro-Church, with no voice given to the women inside.
What led you to this topic?
In the summer after my freshman year, I took a global seminar called Performing Irishness, taught by professors Jill Dolan and Stacy Wolf. We were looking at Irish theater as a form of commentary and a method for processing and developing Irish identity. One of the productions we learned about was called Laundry. It was performed in 2011 in the dilapidated laundry in Dublin. The director, who I interviewed this summer, said there were still pieces of furniture, high chairs and things in the building, because it was the last of the laundries to close in 1996. She said it was “as if they just got up and left.” And the artists used these found objects in addition to oral histories to develop performance pieces. Learning about this, I was blown away.
Then Junior Spring an Irish journalist, Fintan O’Toole, taught a seminar called The Arts, Literature, and Cinema of Coercive Confinement in Modern Island, in which we talked about the laundries and other institutions, like mental asylums and industrial schools where kids were sent. We discussed how arts and literature could wrestle with the experiences of an individual and of the greater community.
Did you complete any previous projects about this topic?
I wrote my spring semester JP on a documentary called States of Fear, about the industrial schools where children were forced into labor, which featured survivor testimony and gave me good background. For my thesis I realized I wanted to focus back on the women. Because this documentary came out about the industrial schools and the government put out a 2500 page report specifically about state involvement in the industrial school system that were run by the Catholic religious orders, they collected testimonials, and started a system of reparations for people who had suffered abuse. But that didn’t happen with the Magdalen laundries. There was a report that came out that didn’t address any survivor testimonies, that said that none of the religious orders made any profit, which archivists and historians and activists who have investigated records say is not true.
