Looking Back on Undergraduate Research: Chris Lu ’88 on Public Service

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In a continuation of last year’s seasonal series, this winter, each PCUR will interview a Princeton alumnus from their home department about his/her experience writing a senior thesis. In Looking Back on Undergraduate Research: Alumni Perspectives, the alumni reveal how conducting independent research at Princeton influenced them academically, professionally, and personally. Here, Nicholas shares his interview.

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 Chris Lu ’88 was a member of the Obama administration, where he served as a Deputy Secretary of Labor, White House Cabinet Secretary, and Assistant to the President. He is now a Senior Strategy Advisor at FiscalNote and an At-Large Member of the Democratic National Committee. He also served as the senior news editor for the Daily Princetonian during his time at Princeton. With a long career in public service, he has some useful insights for those seeking to pursue careers in public affairs. I had the opportunity to speak with Chris about his experience writing a senior thesis in the Woodrow Wilson School and the enduring impact that policy research has had on his career. Here’s what he had to say:
Chris Lu ’88

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Why Research Immigration? Recapping Previous Experiences and Moving Forward

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What I’m most passionate about is immigration. How do people move? Why do they move? And what can we do to assist immigrant communities? While I’m not an immigrant myself, I’m the child of Chinese immigrants who came at a time when Chinese immigration was almost entirely restricted on a racial basis. When my grandparents came to America, only 105 Chinese immigrants per year were permitted entry into the United States. While I acknowledge that I speak from a position of natural-born citizenship, it is the struggles of modern undocumented immigrants that truly fuel my desire to research this field of policy.

The author’s grandfather came to America on this ship in 1949.

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From Junior Researcher to Senior Commissioner: the WWS Task Force

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The research process comes full circle — less than a year after finishing my Woodrow Wilson School task force as a junior writing a Junior Paper, I’m now serving as a Senior Commissioner for a task force about federal policy and poverty reduction in the United States. The job of the Senior Commissioner is to help lead class discussions, to assist juniors in the research process, and to collate everyone’s junior papers into a final briefing book at the end of the semester. Having been through the whole task force process before, it gives me a unique perspective to help guide juniors through their first steps into independent work.

Future policymakers hard at work

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When Research Fails: Turning a Fiasco into Real Motive

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I enrolled in GEO/WRI 201, Measuring Climate Change: Methods in Data Analysis & Scientific Writing, last Fall to challenge myself and learn how to integrate field work, scientific analysis, and writing. Although I already had cursory experience in these areas thanks to a Freshman Seminar on Biogeochemistry in the Everglades and a summer of assisting ecological fieldwork in Mozambique, I had never created and executed my own field project from start to finish. In my naiveté, I presumed that although the course would be difficult, I would conduct research that had a clear and established “finish-line”—and that I would reach it.

My project centered around quantifying changes in vegetation cover in Utah over the past twenty years using satellite imagery. The first couple months of the class were frustrating and I floundered across the deadlines. Most of the science courses I had taken offered a framework: a set of given questions with specific, correct answers. In real research, I found, you must create the questions—and they don’t necessarily have “correct” answers.

Successful research is based on convincing motive that builds off of key literature to contextualize and explain the broader importance of a specific research question.

The Author takes a GPS reading in Spanish Fork Utah. Unfortunately, the field work never even made it into the paper…

Despite my struggles, the project seemed to be coming along. Using images from multiple Landsat satellites, I created a beautiful figure showing a steep decline in vegetation tightly correlated with rising temperatures and decreasing rainfall. Genuine results linking changing climate to remotely sensed vegetation! I was thrilled.

However, after weeks of writing and data analysis, I discovered that the seemingly important trends I was writing about were–to put it bluntly–garbage. In a peer review session, another student in the class hypothesized that the apparent decline in vegetation might be simply an artifact of comparing imagery from different Landsat satellites. I scoffed–but I also started to worry.

 

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When Work is Playtime: Reflections on the Creative Process

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In between classes, extracurriculars, and my Spanish and Portuguese thesis, I’ve spent the last year developing a new musical that runs Thursday May 11 through Sunday May 14 — Beautiful Girls: A Musical Playdate. Developed with two other theater certificate students, the play uses music by Stephen Sondheim to explore themes of friendship, queerness, and identity, and how all of these can and cannot be distilled in the clothes we wear. Looking back on this yearlong project, I realize it has helped me reconnect with what makes both research and creative work so fulfilling: the freedom to explore, improvise, and think beyond what has already been made.

The show runs only 45 minutes. Tickets are free, and may be reserved at: https://tickets.princeton.edu/Online/default.asp

When we started the project, we knew just a couple things about the show: 1) There would be only three actors: the three thesis students. 2) We would use songs by the versatile composer Stephen Sondheim. 3) We would queer this material by performing songs from a number of Sondheim’s shows, regardless of each character’s gender, personality, or “type.”

At our first production meeting, Vince, the music director, suggested it could be wildly fun to put our own mark on each song: adding voice parts to solos, layering different songs on top of each other, or even changing musical styles. This would require weekly sessions for musical improvisation. Rather than calling these “music rehearsals,” which implied some sort of set music to learn, we decided to call them “musical playdates.”

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Behind the Scenes at Princeton Research Day: A Call for Student Judges

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Last year, I was invited to be a judge for Princeton Research Day (PRD) as a veteran of the Mary W. George Freshman Research Conference.  If there was one thing I loved about this conference, it was hearing my peers’ interesting research conclusions. I was excited to see this happen on an even larger scale at PRD, but I was also nervous; I felt that I had little authority to judge the work of upperclassmen (and graduate students!) with only a semester’s worth of experience under my belt. However, the event organizers were incredibly encouraging in this respect, valuing our nonspecialist input.

One of several poster presentations taking place at Frist!

Before PRD, the judges held a brief meeting to go over logistics and judging criteria. I felt that, rather than encouraging harsh criticism, the criteria really emphasized the purpose of PRD as a celebration and opportunity to share the hard work done by Princeton researchers. Scores were mostly based on how well people could relay information, translate their complex findings (no chart goes unexplained!), and engage an audience that has no experience in their field. This criteria eased a lot of my apprehension: I might not be able to judge the correctness of a data set, or rebut conclusions about culture in Georgian England, but I can judge how well these were communicated to me.

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In Between the Lines: A Guide to Reading Critically

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A good example of how I mark up my readings as I go

I often find that Princeton professors assume that we all know how to “read critically.” It’s a phrase often included in essay prompts, and a skill necessary to academic writing. Maybe we’re familiar with its definition: close examination of a text’s logic, arguments, style, and other content in order to better understand the author’s intent. Reading non-critically would be identifying a metaphor in a passage, whereas the critical reader would question why the author used that specific metaphor in the first place. Now that the terminology is clarified, what does critical reading look like in practice? I’ve put together a short guide on how I approach my readings to help demystify the process.

  1. Put on your scholar hat. Critical reading starts before the first page. You should assume that the reading in front of you was the product of several choices made by the author, and that each of these choices is subject to analysis. This is a critical mindset, but importantly, not a negative one. Not taking a reading at face value doesn’t mean approaching the reading hoping to find everything that’s wrong, but rather what could be improved. Continue reading In Between the Lines: A Guide to Reading Critically

How to Pick a Research Topic

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Struggling to pick a research topic? We’ve all been there. Starting can be one of the hardest parts of research. There’s so much pressure to have a good topic that finding one becomes difficult. With that in mind, I’ve compiled some tips to ease this process.

1. Consider your personal interests. If this is a JP or thesis, you will be spending between a semester and an entire year delving into your topic. Make sure you like it! Finding something that genuinely piques your interest will help keep you engaged months down the road. I am lucky to have found Brazilian art therapy pioneer Nise da Silveira, whose work — after writing a JP about her and conducting my senior thesis research abroad on her — continues to keep me curious.

As I develop my thesis research, I hope that I continue to be interested in learning more. After all, just this summer, even before stepping foot in Firestone, I accrued this stack of books!
Crossing my fingers that my thesis topic continues to intrigue! After all, just this summer, even before stepping foot in Firestone, I accrued this stack of books!

2. Read a little about something that fascinates you. Interested in learning more about Mayan basket-weaving traditions? Find a few books or articles about it and start reading! Afterward, assess your feelings. Are you intrigued to learn more, or did you get bored halfway through? Read these signs — they can help you distinguish between topics that pique your interest at first, and those that will give you the stamina to keep reading months later.

 

3. Set up a meeting with your professors. I’ve written before about how helpful it can be to tap into what your professors might think. For my thesis, I knew that I was interested in a community project in Rio that used art to foster mental health, but wasn’t sure where to start. So I set up a meeting with a professor to talk about it. He suggested I look into Nise da Silveira, and I haven’t looked back since.

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Reading Your “Script”: What Theater Can Teach You About Research

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The more I do theater, the more I understand its parallels to academic research.

Recently, I attended a workshop with John Doyle, the renowned theater director and Princeton professor. He shared two details of how he begins a creative process. First, he reads the script only a few times before beginning rehearsals. Rather than getting mired in the script’s details, he likes to let ideas brew and leave space for his collaborators’ input. Second, he stresses the importance of entering rehearsals with unanswered questions — because if you already know the answers, your questions aren’t rich enough, and there’s little point in bringing people together.

Approaching my first thesis meeting, I’ve been thinking about this advice.

As I have written (both here and here), I spent this summer in Rio de Janeiro, researching the legacy of art-therapy pioneer Nise da Silveira. During that time, I conducted over 15 interviews, attended numerous workshops, and collected various books and documents. Recorded on audio files and scribbled in notebooks, these constitute — in a sense — my “script.” It is a body of research so juicy, varied, and detailed, that it tempts me to dive right in and begin working my way through problems.

Yet, as I prepare for my first meeting, the most helpful thing I can do is not read over all this material. Delving in right away, I would get lost in details before I have a sense of what interests me. For the moment, it is more valuable to step away from my “script” and reflect. To think critically about my two months in Brazil. To ponder what confused me and what seemed contradictory. To come up with questions that I cannot yet answer.

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Snapshot from the Lewis Center’s production of Elektra in February 2016. I’m the possessed-Chorus-maid on the right!

This strategy has worked for me in theater. Last year, in Elektra, I acted in the two-person Greek Chorus. Following our first read-through, we developed some big questions about the Chorus: Who are we? Why are we here? What makes us otherworldly? What grounds us in the physical world?

These questions, for the most part, went unanswered. But asking them from the start gave us time to test out answers every day, playing with different kinds of movement, costume, intonation — and, of course, finding new details in the script.

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The Project That Made Me a Researcher: 8 Things Infancy Teaches Us About Research

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Over the course of the semester, PCURs will explain how they found their place in research. We present these to you as a series called The Project That Made Me a Researcher. As any undergraduate knows, the transition from ‘doing a research project’ to thinking of yourself as a researcher is an exciting and highly individualized phenomenon. Here, Bennett shares his story.

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This is hardly the conventional idea of a research project: for one thing, I don’t remember it, and it’s hardly a lab or an archive project. But, unlike the writing seminar paper I wrote on Osama bin Laden, or my first lab experience with yeast genetics, this is a project every PCUR reader has gone through. So here’s baby Bennett, to take you through the first and most exciting research project any of us has participated in: discovering the world as an infant.

1. Bury Yourself In The Literature

I don’t mean that literally, silly.

You can’t start a research project without a deep background on the question you’re asking in the first place. That’s pretty difficult for an illiterate baby: the best I could do was crawl into the papers in my Dad’s briefcase, and hope some knowledge rubbed off, or that I would at least get a better understanding of how the world around me was shaped. If you’re literate, then you’ve got a huge advantage: read everything you can (even if you don’t understand it all at first – we’ll get to that later).

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