It’s that time of year again: everyone is spending endless amounts of time browsing and discussing the available spring courses with their friends, advisers, and mentors. The buildup is for good reason: it’s important to put together a balanced, enjoyable course schedule (for tips on how to go about doing that, check out this post).
I’ve personally had my eye on NEU 350, the neuroscience major requirement known for teaching data analysis techniques and lab procedures. Thus far in my Princeton career, I’ve learned a lot about theoretical methods within the discipline, but I’ve yet to actually apply those methods myself and work with real data. I wanted to take the class to learn these skills and broaden my understanding of what actual work within the neurosciences looks like.
However, I noticed under the “Prerequisites and Restrictions” header of the course on the registrar website that sophomores need permission from the Instructor to take the course. I found this odd considering that many sophomores are enrolled in NEU 314, a class that is typically taken by neuro majors the semester before NEU 350. The need for instructor permission felt intimidating to say the least, and in this post, I’ll share a few steps I took to learn more about NEU 350 and whether or not I should take it this spring.
Choosing a topic for independent work can be a challenging task. It can be difficult to narrow down the seemingly infinite research topics to one that you find compelling (see my post here with tips on how to do that), and on top of that, you have to juggle your research with coursework that may be unrelated. It isn’t always easy to switch gears between, say, literary criticism and your STL. That said, your coursework need not be totally separate from your independent work, and need not even parallel your independent work at the exact time you are conducting it. With courses for the spring semester just released, I want to suggest ways that you can structure your selections to complement (and even supplement!) your own research. This way, next semester, your own independent work may not actually be so “independent” after all.Continue reading Coursework and Independent Work: Using One to Guide the Other
It’s always recommended to balance your course workload appropriately with a good number of paper classes and problem set (p-set) classes. While it’s definitely not ideal, sometimes you just end up taking multiple classes with a demanding reading and writing workload–which means you can also end up with four or five final papers. Some students may actually prefer having only papers and no exams, and vice versa. Exams are a one-and-done deal, whereas final papers allow an indefinite amount of time and access to endless resources–but this can be stressful in its own way. Sometimes, you never know when you’re truly done with a paper, and it can be difficult to allocate time effectively when you’re juggling multiple written assignments.
Being a prospective English major, I tend to pile my coursework with a lot of reading and writing-heavy classes. Last spring, I took four humanities/social science classes and had four papers due for Dean’s Date. Needless to say, in the beginning I felt overwhelmed by the thought of having to write and polish several papers in what felt like not nearly enough time. As a general rule of thumb, I’ve learned that time management is especially crucial when having to complete multiple Dean’s Date assignments, and that planning ahead on your papers can make your life so much easier.
Aside from time management, here are some tips so that you can avoid feeling a sense of impending doom by the time Dean’s Date rolls around:
In my last post, I started an exploration of writing on campus to understand how students approach the writing process outside the classroom in their own work and in extracurriculars. In that post, I considered creative writing and the ways academic writing can present a similar opportunity for expression and creativity.
In this post, I interview Sam Shapiro ’21 who is a Features Editor and writer for the Daily Princetonian. In my interview with Sam, we discussed the differences and similarities between journalism and academic writing and how to bring the thrill one feels when chasing a story for a publication to a term paper in class.Continue reading Writing for Fun? (Part 2): Journalism and Academic Writing
We are constantly writing––composing emails, blackboard posts, essays, and dean’s date papers. In this two-part series, I am interested in understanding the different forms of writing students explore on campus. Specifically, I interview students who write for campus publications to see how they approach the writing process in their extracurriculars.
In this post, I Interview Serena Alagappan ’20, the Editor-in-Chief and a writer for Nassau Weekly. Serena is a comparative literature major who, for three years now, has shared poetry, cultural critiques, profiles, and fiction through the Nass. In my interview with Serena, we discuss creative writing and the connection she has experienced between her academic and personal writing. Serena encourages students to explore writing through the Creative Writing program and shares advice on how students can carry over the freedom and expression of creative writing into more formal and rigid academic subjects.
Princeton semesters are hard. For most people, the stress comes and goes throughout the semester.
Going into sophomore year, I wanted to try new extracurriculars (like writing for PCUR and being a writing center fellow) and to continue things that I’d done since my first year (like Princeton University Orchestra and Princeton Social Innovation), but I was worried about how to manage everything.
Extracurriculars are such a crucial part of life here at Princeton, but we’re also students first. How could I try to start the semester off on the right foot?
This question became all the more pressing when classes started and I got a better understanding of the time commitment and effort that was required for each of my classes.
“Any science major should consider this course…it is basically independent work guided by two top notch professors and supported by an entire seminar class.” – Anonymous Student Review
Every undergraduate studying the natural sciences at Princeton undertakes significant independent research projects in their Junior and Senior years. GEO/WRI 201: Methods in Data Analysis & Scientific Writing is a unique course designed specifically to teach students how to write an independent scientific paper. If you are a Sophomore or Junior looking to attain the concrete skills and confidence to tackle independent research, there is no better class to take.
In 201, you will learn how to design, research, write, and present original scientific research, all through the lens of measuring changing landscapes using satellite and drone-derived aerial imagery. Under the mentorship of Adam Maloof (GEO) and Amanda Irwin Wilkins (WRI), and with the support of your peers, you will: develop an original, well motivated scientific question; design effective field methods to test a specific hypothesis; quantitatively analyze data and imagery; and learn how to effectively communicate the results in a scientific paper and slideshow presentation. The highlight of the class is a nine day field trip across Utah, where students work collaboratively to implement their own field methods, piloting drones and collecting climatological data.
The registrar will soon be releasing fall course offerings. Even as spring semester continues full speed ahead, many juniors are beginning to think about the coming year. Especially for A.B. seniors, who take only six classes, the questions of which to take, how many to take, and how to balance them with a thesis and post-graduation plans, all loom. Remembering how I, as a second semester junior, relied on advice from outgoing seniors, I decided to compile some of my own reflections on approaching coursework in senior year.
Three-three or four-two? For most A.B. students, senior year is the only time we take six courses, rather than eight or nine, to make more time for independent research. We may divide these courses in two ways: three each semester; or four in the first, two in the second. This decision may come down to a number of factors, including: your ability to plan ahead and pace your work, your spring extracurricular conflicts, and your research requirements (for some, scheduling lab work is an important consideration). Personally, I am so grateful for my decision to take four and then two. Especially since I have two theses — one for the Spanish and Portuguese concentration, and a thesis play for the theater certificate — I appreciate the lighter course load.
Final requirements? As you select final courses, narrowing down the choices can seem impossible. Before you make any decisions, first consult your departmental, certificate, and distribution requirements. Many departments have advising tools and calendars to help keep you on track. If you have any prerequisites left, check if these courses are only offered one semester. Senior fall, for instance, was my last opportunity to take ANT 300, a requirement for the Ethnography certificate. Having this in my schedule helped me limit my other choices.
It is Tuesday morning. From the back of the classroom, I squint at the pictures of fish being projected on the board, and scribble in a spiral notebook. Queen angelfish: yellow ring on head, I write as the instructor describes the species’ habitat. She flips to the next slide. Townsend angelfish, I write, less common.
Slipping into the room, with its rows of desks, overhead projector, and professorial monologue – had felt like donning my own old, well-worn clothes. Sixteen years of traditional education have made this role as a student a familiar one.
Yet this time, the circumstances are unusual, and entering the room as a pupil feels suddenly bizarre. It is mid-June, my third week on the island of Bermuda. Just down the hill from this classroom, the turquoise ocean plays against the research station dock. I am at the Bermuda Institute of Ocean Sciences to conduct a field research project assessing how polluted groundwater affects the chemistry and ecology of near-shore coral reefs. Over breakfast, someone had mentioned that a summer course instructor would be lecturing her class on fish identification today. I have been planning to conduct fish surveys on the coral reefs I am studying, but (rather critically) first need to learn to identify all the fish. The timing of the lecture couldn’t be more perfect, so here I am: hunched over a table in the very back of the classroom, listening and scribbling notes like my thesis depends on it.
I spent my fall break last week in São Paulo, Brazil, visiting a variety of art museums and community spaces with a focus on the 32nd São Paulo Bienal, themed Incerteza Viva—live uncertainty. The trip was part of my art history seminar, Contemporary Art: The World Picture. University-sponsored travel, whether through classes, workshops, or independent work, has been the highlight of my Princeton experience, and my time in Brazil was no exception.